Monday, January 28, 2008

Merfolks...


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Merfolk
Merpeople
Mermen
Mermaids
Merrows
Sirens
Selkies
Kelpies
Greenwitches
Swamp Jennies
Water Faeries
Sea Nymphs
Water Sprites


...no matter what you call them, I love the peoples of the sea. Several of my stories have sea people of some sort in them.

I was wondering, when you think, about the water people races, what do you see? How do they look? Where do they live? What do they act like?

Are they half-human-half-fish? part eel? part octopus? Do they have legs or fish tails?

Are the human like with legs on land, but grow a tail when wet? or do they turn into a seal or manta ray when wet, but human when dry?

Are they human skin colored and human hair colors, or are they blue shinned, green haired, etc?


Are fresh water ones drap silvers and browns, like catfish and trout?

Are tropical ones orance and whire striped like clown fish or neon yellow like Tangs? or have poison spikes like lion fish?

Do Japanese mermaids have orange gold fish fan tails and red and white Koi markings?


Are they peaceful seaweed eaters or do they eat humans in a piranah-like frenzy?

Do they have any special powers?

Do they fear humans?

Do they live in vast underwater cities? Small family groups? Solitary?

Are they deep sea dwellers? Shore dwellers? Salt water? Brackish (swamp) water? Fresh water? Pools? Lakes? Rivers? Streams? Lagoons? Brooks? Salt flats? Mashes? Swamps?

Good? Evil? Peaceful? Wariors?



What do you see-think of when you think about water dwelling fantasy races?



What's your take on this? I'd love to hear what you have to say about this post. Leave a comment and share your views!




-------------




Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral



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Which fish are you?


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Which do you prefer being?

Little fish in a little pond.
Big fish in a little pond.
Little fish in a big pond.
Big fish in a big pond.

I say little fish in a little pond. Why? Well I don't need fame or fortune, so no need to make a big name for myself, so no need to be a big fish.

I prefer the company of my family, my pets, and a few close friens. I don't travel, we stay at home and when we go out we never leave the small 3 town area in which we live. Everyone knows everyone.


The small pond is more peaceful and you know all the nooks and crannies; and the small fish can dart in and out of all of them too.


Of course I'd rather be an eel or a mermaid than a fish anyday.

If I was a fish, I'd be a fantail gold fish all bright colored and glittery.



What's your take on this? I'd love to hear what you have to say about this post. Leave a comment and share your views!




-------------




Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral



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Sunday, January 27, 2008

What is Self Publishing


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On Absolute Write the question was asked:

[quote=Jewel101;166387]Exactly how smart is it to self-publish? [/quote]




That depends on the author. Self Publishing is not for everyone. It's work. Hard work, and a lot of it. Very few people have what it takes to undertake a business start up, and starting your own publishing house is harder than the many other businesses you could start. Before you start any company you need to know how to manage the business first.



Most writers jump into self publishing with both eyes shut and hope for the best, but this method never works.





[quote]What are to benefits? [/quote]






Well, you get to keep 100% of the profits. The downside of that is, that unless you are damn good at market research you will not sell very many copies of your book.





Traditionally published authors have no control over the title of their book, the cover art, the inside illustrations, and the final galley edits. Self published authors have full 100% control over those areas.



Traditional published books go out of print when your publisher says so. Self published books can stay in print for the next 20 or 30 years if you wish.





[quote]What are the disadvantages? [/quote]






It is free to traditionaly publish. Self publishing requires you to foot the bill for everything: an average of $12,000 to $30,000 depending on the printing method, binding, and page count.





Not enough info it help you get started could result in you getting scammed. Unfortunatly 9 out of every 10 book claimed by the author to be "self published" is actually vainity press published NOT self published.



Vanity Press is NOT self publishing. If you hire a publisher than you are NOT a self publisher. Publish America is a publisher. IUniverse is a publisher. Tanton is a publisher. Booksurge is a publisher. They are vanity press publishers, but they are never the less publishers. If you used a publisher to publish your book than you did not self publish your book. Know this before you attempt to self publish.





[quote]What exactly do you do when you self-publish? [/quote]




ask me again in a minute... I'll answer this one last cause it'll take a bit of explaining.





[quote]Is it better than the publishing houses? [/quote]






I depends on what your veiw of better is. Usually it is not better, because most authors just are not cut out for the heavy duty marketing, distributing, designing, and networking required to get your book out in front of your customers.



For most authors traditional publishing is better.



and I'll quote this poster:



[quote=maestrowork;166431]If you write non-fiction and if you are a guru/expert on something, you might consider self-publishing. You sell books through seminars, conventions, etc. and you keep the profits of your sales.



For fiction writers, it's usually a better idea to find a traditional publisher.[/quote]






and this poster:



[quote=James D. Macdonald;167976]Self-publishing might possibly make sense if you've written:



a) poetry

b) specialized non-fiction

c) niche fiction



Otherwise it probably doesn't.



If you've written a book where you will either know all of your potential readers by name, or reasonably expect to be looking them in the eye when money changes hands, then self-publishing is probably your only choice.[/quote]



As both of them said, self publishing works better if you are dealing with a small niche market.





[quote]I've heard mixed opinions about self-publishing. I would like to hear what you all have to say about it.[/quote]






I prefer self publishing, however, I also write for a small niche` market, so mass production of my books is not something that I would bother pursuing.



and now to answer your question:



[quote]What exactly do you do when you self-publish? [/quote]




The first and most important thing you need to know about self publishing is that first and formost you are starting a home business when you self publish, and you will need to know how to run a company.



Self publishing is: starting a small press publishing company, and investing your own time and money to design, print up, market, and sell your books. If you didn't start your own company than you didn't self publish, plain and simple. And if you think self publishing is anything differant than you don't really know what self publishing is.

And yes, most writers who self publishing did work in a marketing career prior to self publishing. As I said in my first post on this thread VERY FEW have what it takes to self publish simply because the average person doesn't have the training to start their own business. It's hard work, damn hard work, and very few people can run a business.

That said, I'll repeat myself again: I do not recomend self publishing, unless you are able to handle running a business. Self publishing is not easy and it is not for everyone.

The best advice I can give to someone seeking to self publish is this:

1.) Be sure that you really have a passion for books.

2.) Know that running a publishing company is a full time job and once you start, you may need to quit your day job just to have enough time to focus on your publishing company.

3.) Know that for the first four or five years, you will be living off your savings, because it will take at least that long before your publishing company starts bringing in a profit.

4.) Most importantly, know that running a publishing company is work. A lot of hard work. Work that will drive you mad if you do not have the stamina to deal with a lot of hard work.

5.) Best advice of all: Do not start your own publishing company unless you have the will power to keep it running for the next 20 or 30 years. There are way to many fly by night publishers out there, you do not need to add to that list.

Okay. Moving on to actually getting started. How do you do it? Well, getting started is the easy part. Anybody can start a publishing company; there is nothing to it really. The hard part is keeping it running after you have gotten started.

The ten steps below can be used for both starting a Small Press Publishing House and starting a Self-Publishing Press, however, they are writing with the intention of starting a self-publishing press, and will need slight revisions to work for the small press publisher.

The Ten Steps to Starting a Publishing House:

Step one: HAVE A BUSINESS PLAN

The most important part of starting any business be it a restaurant or a craft shop or a publishing house, is to have a business plan. If you do not have a plan, than you could easily get side tracked from your original goals and lose your focus. So step one is to sit down and write up a business plan. This is easy enough to do.

Business plans will vary, but most will include a list of the goals you want for your business: immediate goals, weekly goals, monthly goals, yearly goals, and at least one goal that says where you plan to be 5 years down the road. Once you have decided on your goals, next your need to make a plan as to how you should try to reach those goals.

Some businesses have a short five or ten page business plan; others may write up 30 or 40 pages, some may just have a one-page list. The length of your business plan is not important. What is important is that you have a plan that tells you where you want to go and how you will get there.

Step two: KNOW YOUR CUSTOMER

This step is all too often over looked by new business start ups and can quickly result in your down fall if neglected. First off, know that you cannot please everyone, you cannot sell to everyone, and not everyone is going to like you or your product. What you have to do is decide who your ideal customer is. Let's look at three big names in the fashion industry for an example: Wal-Mart, Macy's, and Nieman Marcus's

Wal-Mart focuses on the average income family of a $20,000 to $30,000 income and a family with an average of four children, who live in an apartment but saving for their own home. Their ideal customer shops on a budget and is looking for a bargain.

Macy's focuses on the high-income family with a housewife whose husband brings in an income of $75,000. She is the mother of two teenagers or college students. Their ideal customer now has more time to spend shopping for herself than she did a few years ago so she wants to splurge.

Nieman Marcus's focuses on the elite high income business couple. Both have jobs paying over $100,000, they have no children and live in a penthouse and attend high-class business-cocktail parties on a weekly basis. Their ideal customer has money to spend and wants one of a kind fashions straight from the Paris runways.

Each of these three company's caters to a different type customer. They are successful because they focus only on that one customer. If they tried to cater to multiple customers, they would quickly fall and go bankrupt. Learn from the big companies and focus only on your ideal target customer.

In publishing, you need to do the same thing. Do your research and find out who reads the type of books you plan to sell. What is their income? How do they live? How much can they afford to spend? How much are they willing to spend?

Step three: PLAN A MARKETING CHAMPAIGN

This will change over time and should be rewritten at least four times per year (quarterly). You need to plan a marketing Champaign if you want to be a successful publisher. Knowing your ideal customer is not enough; you must plan how you are going to get your business out there for them to actually become your customer. Research what other publishers are doing. How do they advertise their business? What bookstores carry their books? How did they get their books in their customers reach?

Step four: CHOOSE A NAME

What is in a name? Everything! A name can make or break your business. One of the biggest mistakes a new publishing company makes is not choosing a name. Sounds silly, but it is true. Most publishing company start-ups just use their own name: John Smith Press or Jan Doe Publishing House. Ask yourself, would YOU buy a book from a publisher called John Smith Press? Go to your local bookstore and take a look at a few of the publishing house names. Way do you see? Bantam Books. Scholastic Books. Twighlight Manor Press. Firebird Fantasy. Story Press. Writer's Digest Books. You get the idea right? Sit down and really think about what image you want to present. How do you want customers to see you? Than brainstorm names until you find one that fits.

Step five: ASSIGN JOBS

If you are starting a self-publishing company, than you will be doing most of the jobs yourself. However, if you are starting a small press company, than you will need to hire staff: editor, graphic designer, font setter, layout manager, accountant, etc. Someone has to read the submissions coming in. Someone has to proofread the galleys. Someone has to edit the manuscripts. Know that one person cannot do all of these jobs, and often you will need three or four people for each of these jobs.

Step six: FIND A PRINTER

As silly as is may sound, this is a step that many publishers overlook until the last minute and than they panic when they realize their local print shop cannot handle the job. Most new publishers assume that any print shop can print up all the books they will ever need. Truth is, very few print shops are able to handle a full print run of books. Most are only accustomed to printing up 16 page brochures. You may have to have your books printed up and shipped in from two or three states away. If you plan to do hardcover picture books, you should also know that there are only about a dozen print shops in the USA that have the equipment to do so. If you live in Maine, you could find yourself having to order books from a print shop in California, and the freight shipping charges could be higher than the actual cost of printing the books. Do your research and be sure that you can find a local printer that can handle your expected print loads. The printer will be your most expensive part in staring your business. Plan on $20,000 to $40,000 to print up 3,000 to 8,000 copies of you book. Make sure you see samples of their work before you dish out that kind of money, as most print shops do not accept returns or issue refunds.

One option you might consider is to hire a POD (print on demand) printer to print your books up for you. The cost of POD is more per book, but you do not have to dish out more than a few hundred dollars at a time. While there are several out there, the only online one I can honestly recommend as being a high quality reputable printer, is LuLu ( http://www.lulu.com ).

Step seven: FIND A DISTRIBUTOR

Most publishers are not equipped with the ability to hire a sale representative to travel across country to visit each of the 100,000 plus bookshops and peddle your books to them. This is where a book distributor comes in. Distributors, take sample copies of your book and head out to shops promoting your books. There are dozens of book distributors out there. Some are huge national groups, other deal only with local bookshops, some deal only with libraries, while others deal only with schools. You job is to research each of the distributors and determine which one is best suited to promoting your line of books.

Step eight: THE ISBN

The sheer cost of the ISBN frightens many new publishers into thinking they can go ahead with out them. Not so. There is no bookstore online or local that will carry a book without an ISBN, and only a limit number of libraries will add a non-ISBN book to their collection. If you chose to go without the ISBN, know that you can than only sell your book via tailgate. Be prepared to go to local beaches, fairs, and craft shows, and sell copies of your book off your tailgate and be prepared to go out of business in your first year. No ISBN equals no sales.

Step nine: LEARN TO KNOW BOOKS

If you want to be taken seriously as a publisher, than be sure that your books LOOK professional. There is no bigger turn off to a buyer, than to open a book and see that there is no copyright page, no dedication page, no about the author page, no LCCN page, no ISBN, no table of contents, hard to read fonts, and a sloppy layout.
My advice: buy copies of today's best sellers: Harry Potter, Stephen King, etc. and do not read the books, but instead look at the pages. How many blank pages are at the beginning and end? How are the first 13 pages set up? Did you notice that there are always at least 13 pages of information before the book even begins? What do the margins look like? What font was used? What color is the paper? Is the paper smooth or grainy? Forget about reading the story; really get to know the book itself.

Step ten: LEARN TO BE AN EDITOR

If you are going to self publish than you are going to have to learn the art of editing manuscripts. This cannot be overlooked. If you cannot take the time to do this, than you must hire an outside editor.

IN CLOSING:

While this is by no means all there is you need to know about starting your own publishing house, it will certainly help get you on the right track. It is a lot of hard work and can be quite stressful at times; it is not a hard thing to do, if you have the patience and persistence to keep on plugging and never give up. Remember that it is a slow business to gain a footing in though, and be prepared to live off of your savings for at least three years. Once you do have a firm foundation and are making a profit, remember too, that the average income of a small publisher is less than $30,000 a year. This is not a career for anyone seeking to get rich, but rather a career of love. You become a publisher for your love of books not for your love of money.

I hope that you have found this information helpful in starting your new career.




What's your take on this? I'd love to hear what you have to say about this post. Leave a comment and share your views!




-------------




Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral



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Who is my target customer?


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1- Who will want to read your book and why?



Based on what I know about the type of books certain types of people read, I would say that the average reader for my current WIP, The Pearl Necklace, would be:



Target customer #1:



A woman age 25-45. She has a busy lifestyle, either a stay at home mom or a working mom, so she is looking for a book that is shorter than most, because she does not have much free time for reading.



She longs for a sence of danger and adventure, but would rather face it from the safty of her own home by sharing it with the stories MC.



She most likely lives on or near a beach, or grew up on or near a beach or dreams of someday living by the seaside.



She loves fantasy type creatures, esp mermaids.



Target customer #2:



A student of the stage, may be an actor but most likely to be a dancer of tribal, belly, or ballet.



Is seeking a fantasy story that can be translated to stage and dance while utalizing experamental music and dance moves created by the troupe.



2- What makes your book different?



The first differance is the book itself, which contains the story in two formats: first is the original novellette, followed by the script for taking the story to stage via dance.



What makes the story differant, is that it is a romance between a girl and a merman, but the merman is a villain.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Editors ask this because they want to know how much market research an author has done. Editors are more likely to choose a MS from an author who included a detailed summary of their prime target reader. The reason is because they want to publish a book that sells and publishers rely on the author to do as much of the promotion as possible.

Authors who know who their "target" reader is, usually know how to reach that reader, and is more likely to spend their own money to promote their book locally, which in the long run means more book sales and more money for the editor.

If an editor has 2 MSs they are deciding on and they ask both auhors who their target reader is, it is the author who sends a detailed outline of the demigraphics of the target reader, who will be choosen, not the one who sends back: "Everyone!" or some other lame answer.

The reason for this is the publisher needs to know where to market the book. Which types of shops (non bookstore) would carry it?

Would it make for a good mass market edition? (sold in grocery aisles with magazines, where the working mother ages 30-45 is going to see it). Should they market it to upper class women?

If an emo goth teen is the target reader than they will want to market it to strip mall stores.

Is it marketed for single women? Single women shop in differant places than married women.

What is all boils down to is the publisher needs to know where to sell your book and they rely on the author to tell them who the target customer they should be aiming at.


What's your take on this? I'd love to hear what you have to say about this post. Leave a comment and share your views!




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Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral



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Saturday, January 26, 2008

Questions to ask a writer


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Questions:

1. How many words do you usually write a day?

2. How long does it usually take you to complete one of your WIPs?

3. What's the longest time you've worked on a completed MS? Shortest?

4. How many times to revise it?

5. How many manuscripts have you written?


1. How many words do you usually write a day?


First off:

I do not write in chapters.

I do not write to a set "hours per day"

I do not write to a set "words per day"

What I do is, I write small segments or scenes from my book. Say a conversation between two characters. Or maybe the description of a room. Something like that. I find this easier, because I can see a very clear beginning, middle, and end. Not the beginning, middle, and end of the entire book. Not the beginning, middle and end of the entire chapter. Just the beginning, middle, and end of that one scene, which in most cases is 2 to 4 paragraphs long or about 600 - 800 words.

I make it my goal to write three of these segmants each day.

One in the morning as soon as I wake up, before I even get out of bed.

One in the afternoon, when I get back in from taking my dog out for his daily walk.

One in the evening, last thing just before going to bed. It takes about 15 - 30 minutes for me to write each segment. Or about 40 minutes to an hour and a half each day. In the end I end up with about 2,750 words written at the end of the day. That is, if I actualy sit down and write at all! Some days it's just hard to get motivated to start writing.

Anyways, When you take it and break it down into tiny chunks like this, it seems like you haven't written very much at all, when in fact you have gone well above and beyond your word count goal.

Unfortunatly, though I try to do this every day, I often end up only doing this 2 or 3 days a week. I have had months where I suprised myself and write like this every single day, but I seem to have a hard time sticking with writing EVERY DAY, which is my goal.


2. How long does it usually take you to complete one of your WIPs?

novel first draft:... I've done 2 in 30 days or less (30 days or less for each one that is, not 2 in one month)... one was 183,000 words the other was 75,000 words. Both were written on a dare and required lots of editing afterwards; much more editing than they would have needed had I written them in say 3 months each instead of 30 days each. From that I learned that the faster I write the more mistakes I make, so I'll stick with slow and steady from now on.

those are not average for me though, 'cause usually it takes me 4 or 5 or more months to get that much done. My average is prob'ly closer to 6 months per book, not including editing time.

short story first draft:... depends on the length of the story. 2 or 3 hours for every 1,000 or so words.


3. What's the longest time you've worked on a completed MS? Shortest?

longest: about 12 years
shortest: 183,000 words in 30 day days

My quickest time ever was in October 2007 when I raced myself against the clock and wrote an 11,500 word short story in one 5 hour sitting, but boy did my hand hurt afterwards. I don't plan on ever trying to type a story by a time clock ever again! I just wanted to prove to myself that I COULD type fast if I really tried, but now that I'm happy with the fact that I could do it if I tried, I just continue to type at a slow pace because I've learned that "slow and steady wins the race" while fast and furious just hurts my hand.


4. How many times to revise it?

depends on what I'm writing, but rarely more than twice

the editing process for me, takes about 2 moths per revision, so editing twice adds another 4 months to each project


5. How many manuscripts have you written?


novels and novellas: uhm... no idea; about 30ish, I aim for at least one per year, while striveing for 2 per year

short stories: again, no idea... about 200+; I strive for at least one per month


What's your take on this? I'd love to hear what you have to say about this post. Leave a comment and share your views!




-------------




Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral



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What your MC can not see...


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On Abosulte Write a member posted a very interesting question:

[quote=megan_d;2001327]So my MC is hiding behind a chair. He can hear what's going on between the four not hiding characters, but he can't see a thing. And damn, but is this scene hard to write! I never realised how reliant I was upon visual clues to show and not tell!

Has anyone else found themselves in a similar spot in their own WIPs?[/quote]

[quote=megan_d;2001345]But how to you show that someone is angry, shocked, or sad without describing the looks on their faces? It can be done, sure, but it's tricky![/quote]



Sounds. Tones of voice. Smells. Physical feelings. Gut feelings. Vibrations. Here's some examples off the top of my head...

[I]"...put your words here..."[/I] he yelled, stamping his foot hard on the ground. He stamped the ground so hard I could feel the chair I was hiding behind shake.


[I]"...put your words here.."[/I] she wailed out desperatly. My heart ached at her anguish. She was sobbing so hard now, that I was almost tempted to come out of my hiding spot. Almost, but not quite.

BTW... have you ever laid on the floor behind a chair? I suggest you try it. It changes your whole sence of persepective if you try to actually do what you are writing about.

Here's some things for you or your MC to notice while you are squished behind your chair:

What is that smell! Did the cat piss on the back of this chair?

Ugh! I never realized how musty and dusty it gets behind a chair! *cough * cough* sneeze* ---oooh how are you going to stop your MC from sneezing?

Good Lord! What is that stain!

Damn, how do people in the movies squeeze into these tight spots? I'm getting a cramp in my leg, but if I move they'll see me. Why didn't I think to hide behind the couch instead?

How the hell did I get myself in this position?

Boy does this rug need to be washed.

Oh god! I can't heard anything from here. Now what?

When will those damn cars stop going by? I can't hear what they're saying?

[I](you do realize that if the chair is against the wall near the street, that your MC will be picking up lots of background echo from the cars going by outside? Don't believe me? Sit on the floor behind a chair that is on the wall by the street and see what you hear.)[/I]

Well, these are some of the thoughts I just had while sitting behind my chair. Try sitting behind your chair and see what you can come up with.

[quote=HeronW;2001487]Most speech is not words, it's pauses, tone of voice, volume, pitch, speed, clarity vs mumbling, the way someone breathes. If your MC can't see, he can still identify the four types of speakers, who's the alpha, who's the weakest link, who's the smart one, who's the grunt doing the heavy work, etc.

The MC can hear feet shifting, a face slap, knuckles popping, furniture moving, guns being checked, a switchblade snicking open, the rustle of cloth, a leather jacket creaking, someone with a stuffy nose or sinus drainage.

The MC can smell/taste body odor, aftershave, woodsmoke, dust, types of tobacco, dogshit someone stepped in, a broken bit of cedar, etc.

The MC can feel dampness, dryness, increase in speed if moving, increase in pressure if in a plane, etc.[/quote]



Oh man! What a great post! Like what I was about to say, only now I don't have to type it all out myself, I can just repost what you said!




What's your take on this? I'd love to hear what you have to say about this post. Leave a comment and share your views!




-------------




Copper Cockeral
Publishing Your NaNo Novel?
Do You and I Read the Same Books?
Want to Give Me a Reward for Reaching 50k?
*I Love Phookas!*
Copper Cockeral



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Best Writing Time?


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When do you get your most writing done?

I try to write throughout the day.


What I do is, I write small segments or scenes from my book. Say a conversation between two characters. Or maybe the description of a room. Something like that. I find this easier, because I can see a very clear beginning, middle, and end. Not the beginning, middle, and end of the entire book. Not the beginning, middle and end of the entire chapter. Just the beginning, middle, and end of that one scene, which in most cases is 2 to 4 paragraphs long or about 600 - 800 words.



I make it my goal to write three of these segmants each day:



One in the morning as soon as I wake up, before I even get out of bed.



One in the afternoon, when I get back in from taking my dog out for his daily walk.



One in the evening, last thing just before going to bed.



It takes about 15 - 30 minutes for me to write each segment. Or about 40 minutes to an hour and a half each day. In the end I end up with about 2,750 words written at the end of the day.



However, though I try to do this every day, I usually end up doing it only 2 or 3 days a week. :( It is my goal to make this a more regular daily writing habit.



So, when do I actually get most of my writing done? Right now during the winter, usually between 1AM - 4AM when I am supposed to be asleep! LOL!



In the summer, though, I become very "outdoor active" working in the garden, hiking in the woods, walking on the beach, taking care of the animals (I live on a farm); anyways, for some reason being outdoors in nature and with my flowers and my animals and hearing the ocean waves and smelling the salt air, sends me off on a writing frenzy, and I find a sunny spot in my garden and the next thing I know I'm writing and writing and writing... wow am I really writing.



So, my best writing time of all is from about June - September between 11AM to 4PM.




What's your take on this? I'd love to hear what you have to say about this post. Leave a comment and share your views!




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Welcome To EK's Writing Blog

My blog with advice for writers, answers to questions, and a random variety of whatever pops into my head and comes out as a blog post.

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If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best: Create your own banner at mybannermaker.com! Create your own banner at mybannermaker.com!. Create your own banner at mybannermaker.com!. Create your own banner at mybannermaker.com!
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If you liked reading this blog and want to read more stuff written by me, I have lots of websites, where you can read other things I write, here are a few of the ones I like the best:

Former About This Blog:

Welcome

Welcome to my writing blog! If you have visited before, than you will notice some changes, namely, that the theme has changed. My long time readers well recognize this theme: Yes, SHIVER is back, and I'm am now working on my pet project once again.

For those asking "What is SHIVER?". SHIVER is my ghost story project that has taken me several years to get written down, but is finally seeing an end in sight. SHIVER is soon to be published by The Twighlight Manor Press and has a planned release date of: October 2009. Watch for it!

NaNoWrimo 2008 is just around the corner and so this blog is rising from the grave to return once again for iit's third year as my official NaNoWriMo blog.

EelKat's Latest Activity on I Believe

About This Blog:

I Won in 2006I've signed up for this year's NaNoWriMo 2007 (my third year at NaNo!) and this is my blog for it, where I talk about my thoughts about writing, my ideas for NaNo, and the progress of my contest entry for this year's National Novel Writing Month contest.


NaNoWriMo: 50,000 words in 30 days. Have you got it in you?



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